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Renoise For Mac Torrent

To run Renoise, you'll need a Mac running OSX 10.9 or later, a Windows PC running Windows 7, 8 or 10 (64 bit), or a x8664 based Linux with glibc = 2.19 (e.g. For more details, see system requirements: Redux System Requirements. Renoise is a cross-platform software solution that comes packed with many useful features for helping you record, edit, compose, and render audio tracks.This digital audio workstation features a. Renoise 2.8 also comes complete with a native plug-in bridge, allowing seamless usage of 32-bit instrument and effect plug-ins inside the 64-bit Renoise process, and vice versa. 64-bit versions for all platforms: Windows, OSX and Linux.
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Changes for v2.8.2 - v3.0.0
http://www.renoise.com/release-notes/300 

Changes for v2.7.2 - v2.8.0
Release Notes for Renoise 2.8.0
We are proud to present a new Renoise Release. Final versions of our latest release are now available to all registered users at the Renoise Backstage, and everyone else can check out the free demo versions. Everyone is invited to join our forums to discuss the new release. 
Full 64-bit Support
Ever since our Linux users got a 64-bit version with Renoise 2.5, we've had a lot of requests for 64-bit support on all three platforms, and now it's ready. Running the 64-bit version, the memory-hungry among you can now take full advantage of the available resources in your machine, allowing you to break the 4 GB barrier. 
Renoise 2.8 also comes complete with a native plug-in bridge, allowing seamless usage of 32-bit instrument and effect plug-ins inside the 64-bit Renoise process, and vice versa. 
64-bit versions for all platforms: Windows, OSX and Linux 
Plug-in bridge allows 32-bit plug-ins to be used within 64-bit Renoise 
Full Rewire 64-bit support 
Reworked Pattern Matrix with Slot Aliases
Workflow has been the keyword for most of the 2.8 development cycle. Thanks to the revamped Pattern Matrix and sequencer, it's now easier than ever to arrange your songs. By aliasing individual pattern slots, you can lay out complete tracks in no time. The new sections feature allows you to add structure and overview, while the streamlined sequencer helps to keep your project nice and tidy. 
Alias individual pattern slots in the matrix, i.e. treat them like clips 
Edit one slot and have changes propagate to all other aliases 
Quickly clone or alias slots by dragging their edges 
Use section headers to group parts of the song together 
Track Groups & Collapsing
Another big workflow improvement is track grouping, which allows you to group related tracks together, and have each group share common effect chains. It's now also possible to collapse tracks and groups, which can do wonders for the overview of large projects. 
Group tracks into logical units, collapse them for better overview 
Flexible routing of group tracks 
Collapsed tracks use minimal space, while still providing a quick overview 
Pattern effects in groups will affect all member tracks simultaneously 
Automatically collapse all tracks except the one you are focussing on 
Color code tracks with adjustable background colors 
DSP Effects and Meta Devices
And what would a new Renoise release be without a few new DSP effects? 
New DSP Multitap delay for spaced out filtered echo madness 
New DSP Repeater for st-st-st-stuttery goodness 
New DSP Exciter to make your mixes sparkle 
New Meta Mixer allowing blending of modulation signals into one output 
Improved EQs with bigger graphs and all values can be automated 
Improved Send devices, which can now be individually panned 
New and improved crossover filters for the Multi Send device 
Sample Editor
The Sample Editor has also got its fair share of workflow improvements. 
Left & right channels can be edited separately 
Zoom level & current selection are remembered per sample 
Significantly faster sample loading 
Destructively render slices to individual samples 
Improved keyboard and mouse selection handling 
Improved marker and waveform display visibility 
New and improved processing tools (mute selection, insert silence, invert phase, swap stereo channels and cross-fading loop creator) 
Improved Spectrum View
New Phase Correlation Meter in Phase Scope 
Side-by-side comparison of two tracks in the spectrum view 
New drawing modes: Filled Curve, Bar and Spectrogram 
Configurable frequency scaling, precision, peak fall rate, and slope 
Pattern Effects
Pattern effects in the master or group tracks will affect all member tracks 
Up to 34 DSP devices can be addressed via pattern commands 1xyy-Yxyy 
New pattern effects: Tremolo, Auto Pan, Set Envelope Position 
Logical mnemonics for pattern effects from A to Z instead of cryptic numbers 
Performance Improvements
Hyper-threading support for new Intel i5 and i7 CPUs and others 
Various audio engine speed optimizations for all platforms 
Other Workflow Improvements
Graphical BPM/LPB/TPL automation in the Master track 
New Favorites system for plug-ins and native DSP devices 
Expandable and detachable Envelope Editor 
Memorize last used bank/preset paths per plug-in 
Automatically name rendered songs/patterns 
Right-side modifier keys are no longer hard-coded 
Finer control over note distribution when dragging samples into keyzones 
Improved color picker with saveable swatches 
Context menus overhauled and made more consistent 
Under the Hood
Quicktime is no longer needed to import MP3 files on Windows 
Plug-ins are woken up from auto-suspend when clicking on their windows 
Support for mono capture devices on OSX 
New Jack implementation on Linux 
Trimmed overall memory footprint 
Lua Changes
Renoise Update Checker and Tools Auto Updater are now part of the default installation 
Various new Lua API bindings 

Changes for v2.7.2 - v2.8.0 RC 1
Full 64-bit Support
Ever since our Linux users got a 64-bit version with Renoise 2.5, we've had a lot of requests for 64-bit support on all three platforms, and now it's ready. Running the 64-bit version, the memory-hungry among you can now take full advantage of the available resources in your machine, allowing you to break the 4 GB barrier. 
Renoise 2.8 also comes complete with a native plug-in bridge, allowing seamless usage of 32-bit instrument and effect plug-ins inside the 64-bit Renoise process, and vice versa. 
64-bit versions for all platforms: Windows, OSX and Linux 
Plug-in bridge allows 32-bit plug-ins to be used within 64-bit Renoise 
Full Rewire 64-bit support 
Reworked Pattern Matrix with Slot Aliases
Workflow has been the keyword for most of the 2.8 development cycle. Thanks to the revamped Pattern Matrix and sequencer, it's now easier than ever to arrange your songs. By aliasing individual pattern slots, you can lay out complete tracks in no time. The new sections feature allows you to add structure and overview, while the streamlined sequencer helps to keep your project nice and tidy. 
Alias individual pattern slots in the matrix, i.e. treat them like clips 
Edit one slot and have changes propagate to all other aliases 
Quickly clone or alias slots by dragging their edges 
Use section headers to group parts of the song together 
Track Groups & Collapsing
Another big workflow improvement is track grouping, which allows you to group related tracks together, and have each group share common effect chains. It's now also possible to collapse tracks and groups, which can do wonders for the overview of large projects. 
Group tracks into logical units, collapse them for better overview 
Flexible routing of group tracks 
Collapsed tracks use minimal space, while still providing a quick overview 
Pattern effects in groups will affect all member tracks simultaneously 
Automatically collapse all tracks except the one you are focussing on 
Color code tracks with adjustable background colors 
DSP Effects and Meta Devices
And what would a new Renoise release be without a few new DSP effects? 
New DSP Multitap delay for spaced out filtered echo madness 
New DSP Repeater for st-st-st-stuttery goodness 
New DSP Exciter to make your mixes sparkle 
New Meta Mixer allowing blending of modulation signals into one output 
Improved EQs with bigger graphs and all values can be automated 
Improved Send devices, which can now be individually panned 
New and improved crossover filters for the Multi Send device 
Sample Editor
The Sample Editor has also got its fair share of workflow improvements. 
Left & right channels can be edited separately 
Zoom level & current selection are remembered per sample 
Significantly faster sample loading 
Destructively render slices to individual samples 
Improved keyboard and mouse selection handling 
Improved marker and waveform display visibility 
New and improved processing tools (mute selection, insert silence, invert phase, swap stereo channels and cross-fading loop creator) 
Improved Spectrum View
New Phase Correlation Meter in Phase Scope 
Side-by-side comparison of two tracks in the spectrum view 
New drawing modes: Filled Curve, Bar and Spectrogram 
Configurable frequency scaling, precision, peak fall rate, and slope 
Pattern Effects
Pattern effects in the master or group tracks will affect all member tracks 
Up to 34 DSP devices can be addressed via pattern commands 1xyy-Yxyy 
New pattern effects: Tremolo, Auto Pan, Set Envelope Position 
Logical mnemonics for pattern effects from A to Z instead of cryptic numbers 
Performance Improvements
Hyper-threading support for new Intel i5 and i7 CPUs and others 
Various audio engine speed optimizations for all platforms 
Other Workflow Improvements
Graphical BPM/LPB/TPL automation in the Master track 
New Favorites system for plug-ins and native DSP devices 
Expandable and detachable Envelope Editor 
Memorize last used bank/preset paths per plug-in 
Automatically name rendered songs/patterns 
Right-side modifier keys are no longer hard-coded 
Finer control over note distribution when dragging samples into keyzones 
Improved color picker with saveable swatches 
Context menus overhauled and made more consistent 
Under the Hood
Quicktime is no longer needed to import MP3 files on Windows 
Plug-ins are woken up from auto-suspend when clicking on their windows 
Support for mono capture devices on OSX 
New Jack implementation on Linux 
Trimmed overall memory footprint 
Lua Changes
Renoise Update Checker and Tools Auto Updater are now part of the default installation 
Various new Lua API bindings 

Changes for v2.7.0 - v2.7.1
Fixes:
Mac OSX: Lua Error Dialogs May Crash Renoise 
Lua samples[]:copy_from troubles when applied on sliced samples 
Keyzone Editor, 'Vel->Vol' Problem With Multiple Samples 
Problem Loading .Rni Instruments From 2003 
Hydra Destination Fx Name Incorrect When Renaming Device 
Changes:
Undo/Redo Record Last Take Finetuning 
Edit Step is Saved Again (As Preferences) 

Changes for v2.6.1 - v2.7.0
Release Notes for Renoise 2.7.0
Back To Beats. Renoise 2.7 transitions from the developer-heavy focus of the previous release to more musical concerns such as Sampling, Instruments, Automation, and Native DSPs. 
Instrument Redesign and Sample Keyzones
Renoise's internal instruments have been re-engineered. The focal point is a new keyzone editor that supports overlapping, velocity, and key release mappings. The Sample Keyzones editor brings with it user interface refinements, improved drumkit generation, better tuning options, new sample properties, and loop modes. Live instrumentalists can also tap into new realtime rendering modes and MIDI input routing, making Renoise on a laptop a formidable replacement for your old sampler. 
Some new Instrument & Sampler features at a glance: 
Sample Keyzones GUI editor per instrument 
Map different samples to different velocity ranges 
Map samples to key release as well as key press 
Stack samples and create overlapping sections 
Toggle envelope on/off per keyzone 
New Release sample loop option for exiting the loop on key release 
MIDI Input can now be routed to individual instruments and tracks 
Extended drumkit and keyboard layout generation options 
Sample envelopes now have Points mode in addition to Linear and Curve 
Autofade setting per sample for quickly fading beginning and end of samples 
Select multiple samples and batch edit properties 
Overhauled instrument properties GUI, now in lower tab 
Sample Slice Markers
New Slice Markers push Renoise's breakbeat insanity one step further. With the click of a button, your break is sliced and keymapped. Amens away! More than just a beatslicer, creatives will soon discover custom offsets and the power of aliases for controlling longer recordings like vocals and soundscapes. 
Slice marker features include: 
Automatically detect transients in sample and place markers on them 
Manually place and edit slice positions in sample editor 
Trigger slices from keyboard as if they were regular samples 
Trigger slices from pattern 09 commands 
Trigger either only slice or remainder of sample from that point 
Edit sample properties like loop, volume etc per slice 
Automation Improvements
The revamped Automation Editor now provides a zoomable overview of the entire song, as well as vastly improved envelope resolution. Mouse handling has also been simplified, with fewer modifiers and more easily accessible draw mode, selections and context menu. 
Automation precision increased to 256 steps per pattern line 
Zoom level can be locked to multiples or fractions of whole envelopes 
Values can be snapped to grid, lines or beats 
Turn off Follow mode to detach edit position from playback position 
Left-click and drag to select, drag a selected point to move/scale 
New Track DSPs
Internal FX get an injection of winning with a new Comb Filter and a Multiband Send that lets you surgically redirect a single sound source to 3 send tracks. New draggable gain and frequency handles in the native EQs add flavour and finesse to the tools. 
New Multiband Send device letting you send different frequency bands to different destinations 
New Comb Filter device 
Draggable handles for Frequency, Gain and Q for the EQ devices 
Devices can now be renamed 
Load and Save DSP chains from the device chain and device context menu 
DSSI plugins now handle MIDI note events coming from the GUI 
DSSI plugin windows always stay on top of Renoise window 
Recording & MIDI
MIDI Input can now be routed to individual instruments and tracks 
Pre-count metronome option for recording 
Live recording MIDI notes/events will no longer create lots of Undo/Redo steps 
More simultaneous Master/MIDI In devices supported 
Store pattern quantize settings globally and not per song 
Audio Rendering
Real-time rendering mode: render MIDI instruments and line-in devices, or hybrid VSTs 
Mono/Stereo/Auto option added for the plugin grabber 
Render Selection To Sample no longer renders DSPs on master channel 
Other Tweaks and Fixes
Remember previous track mute states when soloing/unsoloing 
New phase meter in Master Spectrum view 
Track and master scopes synced to zero crossings for better readability 
Audio headroom per track is now configurable (was -6dB) 
Pattern Matrix no longer steals Pattern Editor focus when clicked 
Navigating folders with many XRNX/XRNI files in Disk Browser considerably sped up 
Trigger Autoseek samples also when triggering individual lines (with Return key) 
Double click on scrollbars to zoom out fully in zoomable views 
Updated Lua API bindings 

Changes for v2.6.1 - v2.7.0 RC 1
Release Notes for Renoise 2.7.0 
Back To Beats. Renoise 2.7 transitions from the developer-heavy focus of the previous release to more musical concerns such as Sampling, Instruments, Automation, and Native DSPs. 
Instrument Redesign and Sample Keyzones 
Renoise's internal instruments have been re-engineered. The focal point is a new keyzone editor that supports overlapping, velocity, and key release mappings. The Sample Keyzones editor brings with it user interface refinements, improved drumkit generation, better tuning options, new sample properties, and loop modes. Live instrumentalists can also tap into new realtime rendering modes and MIDI input routing, making Renoise on a laptop a formidable replacement for your old sampler. 
Some new Instrument & Sampler features at a glance: 
Sample Keyzones GUI editor per instrument 
Map different samples to different velocity ranges 
Map samples to key release as well as key press 
Stack samples and create overlapping sections 
Toggle envelope on/off per keyzone 
New Release sample loop option for exiting the loop on key release 
MIDI Input can now be routed to individual instruments and tracks 
Extended drumkit and keyboard layout generation options 
Sample envelopes now have Points mode in addition to Linear and Curve 
Autofade setting per sample for quickly fading beginning and end of samples 
Select multiple samples and batch edit properties 
Overhauled instrument properties GUI, now in lower tab 
Sample Slice Markers 
New Slice Markers push Renoise's breakbeat insanity one step further. With the click of a button, your break is sliced and keymapped. Amens away! More than just a beatslicer, creatives will soon discover custom offsets and the power of aliases for controlling longer recordings like vocals and soundscapes. 
Slice marker features include: 
Automatically detect transients in sample and place markers on them 
Manually place and edit slice positions in sample editor 
Trigger slices from keyboard as if they were regular samples 
Trigger slices from pattern 09 commands 
Trigger either only slice or remainder of sample from that point 
Edit sample properties like loop, volume etc per slice 
Automation Improvements 
The revamped Automation Editor now provides a zoomable overview of the entire song, as well as vastly improved envelope resolution. Mouse handling has also been simplified, with fewer modifiers and more easily accessible draw mode, selections and context menu. 
Automation precision increased to 256 steps per pattern line 
Zoom level can be locked to multiples or fractions of whole envelopes 
Values can be snapped to grid, lines or beats 
Turn off Follow mode to detach edit position from playback position 
Left-click and drag to select, drag a selected point to move/scale 
New Track DSPs 
Internal FX get an injection of winning with a new Comb Filter and a Multiband Send that lets you surgically redirect a single sound source to 3 send tracks. New draggable gain and frequency handles in the native EQs add flavour and finesse to the tools. 
New Multiband Send device letting you send different frequency bands to different destinations 
New Comb Filter device 
Draggable handles for Frequency, Gain and Q for the EQ devices 
Devices can now be renamed 
Load and Save DSP chains from the device chain and device context menu 
DSSI plugins now handle MIDI note events coming from the GUI 
DSSI plugin windows always stay on top of Renoise window 
Recording & MIDI 
MIDI Input can now be routed to individual instruments and tracks 
Pre-count metronome option for recording 
Live recording MIDI notes/events will no longer create lots of Undo/Redo steps 
More simultaneous Master/MIDI In devices supported 
Store pattern quantize settings globally and not per song 
Audio Rendering 
Real-time rendering mode: render MIDI instruments and line-in devices, or hybrid VSTs 
Mono/Stereo/Auto option added for the plugin grabber 
Render Selection To Sample no longer renders DSPs on master channel 
Other Tweaks and Fixes 
Remember previous track mute states when soloing/unsoloing 
New phase meter in Master Spectrum view 
Track and master scopes synced to zero crossings for better readability 
Audio headroom per track is now configurable (was -6dB) 
Pattern Matrix no longer steals Pattern Editor focus when clicked 
Navigating folders with many XRNX/XRNI files in Disk Browser considerably sped up 
Trigger Autoseek samples also when triggering individual lines (with Return key) 
Double click on scrollbars to zoom out fully in zoomable views 
Updated Lua API bindings 
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Changes for v2.6 RC 1 - v2.6
New context menu entries and keyboard shortcuts (think 'My Improved Pattern Jump', 'My Bypass all DSP Devices in Track', 'My Generate Chip Sound Sample' commands and so on). A similar concept to the extensions in Mozilla's Firefox. 
Custom graphical user interface elements with the look and feel of Renoise itself. Perfectly integrate your tools with Renoise and make them easy to use for others too. 
Manipulate the Renoise main window or the song (patterns, tracks, instruments, anything that makes up a song). Generate, filter, or process song data in any way you can think of, e.g. for algorithmic composition, instrument creation, automation etc. The sky is the limit. 
Help us create official features by prototyping your ideas, finetune them with the aid of the community and hopefully see them integrated into the core feature set of a future Renoise release. 
Fully optional (no need to use it, when you don't need it) 
Ability to mute parts of your song, without the need to create new patterns, also useful when playing livesets to develop patterns in real time (create full arrangements or 'drafts' from a single pattern with just a few clicks) 

Itunes plugins for windows 10. Changes for v2.0.0 - v2.1.0
New Features
ReWire & Jack Transport Support
(OSX/Win) Rewire Master (ReWire-in routing device) and ReWire Slave mode. 
(Linux) Added Jack Transport 
Live features in the Pattern Sequencer
Pattern Sequencer can be decoupled from viewed pattern (disable Pattern Follow). 
Pattern Sequencer allows queuing patterns, deferred triggering. 
Pattern Sequencer shows current playing pattern row in the player queue column. Green when follow mode is off, white when follow mode is on. 
New Devices 
Hydra device : Control up to nine parameters of other effects using only one input slider. 
Keytracking device : Similar to the Velocity device but then ranges for key-note values affect the target parameter. 
MIDI CC device got transformed to a MIDI Control device : Pitchbend, Channel Pressure and Program changing are now added parameters (and are now automatable through automation curves). 
Fixes
Virus TI : Fixed a bug with the VST timing when the static buffers option is enabled & we've added some VST features which are normally not used. 'Access' would fix some timing issues on their side to make our fix work so you also need to download their newest Firmware containing their solution to have a full fix. 
OSX: Supercollider AU Wrappers show no parameters / crackle. 
Pingpong Looped Sample + 05xx Resets Loop Direction 
Ext. Midi Notes sometimes stuck (from MIDI Master Keyboard) 
OSX: Audio Damage Plugins GUI Crash 
Midi In From Mme+Wdm should not be used together by default 
Middle Click On Envelope Automation Sets A Point 
Linux: Wrong VST Instruments Properties label LADSPA instruments should not be mentioned 
Renoise 'Hickups' On Songplay After Idling 
Changes
Loop info is now included when saving WAV and FLAC files 
Clicking stop twice no longer rewinds the pattern-arranger to the first song-position. 

Changes for v2.0.0 - v2.1.0 RC 2
Fixes
Virus TI : Fixed a bug with the VST timing when the static buffers option is enabled & we've added some VST features which are normally not used. 'Access' would fix some timing issues on their side to make our fix work so you also need to download their newest Firmware containing their solution to have a full fix. 
OSX: Supercollider AU Wrappers show no parameters / crackle. 
Pingpong Looped Sample + 05xx Resets Loop Direction 
Ext. Midi Notes sometimes stuck (from MIDI Master Keyboard) 
OSX: Audio Damage Plugins GUI Crash 
Midi In From Mme+Wdm should not be used together by default 
Middle Click On Envelope Automation Sets A Point 
Linux: Wrong VST Instruments Properties label LADSPA instruments should not be mentioned 
Renoise 'Hickups' On Songplay After Idling 
Changes
Loop info is now included when saving WAV and FLAC files 
Clicking stop twice no longer rewinds the pattern-arranger to the first song-position. 
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Changes for v1.9.1 - v2.0.0
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Major Features 
The development of these changes was split into 3 milestones. Precision, Timing and Plugin improvements. 
PDC (Plug-in Delay Compensation) 
Full, automatic, sample precise Plugin Delay Compensation (PDC) for Track FX (native and Plugin) and Instruments (aka everything). You simply don't have to care if a VST Plugin or instrument introduces unwanted latency. Renoise will compensate it for you under the hood. 
Track Delay 
Custom track delays to easily offset MIDI/Audio tracks. For example, laying back a snare can now be done in realtime in the mixer. Same goes for 'MIDI tracks' (tracks with MIDI notes). 
Timing Improvement (LPB & Delay Column) 
'Ticks' no longer limited by the engine's note resolution / 'Speed' is dead: LPB (Lines Per Beat) : 
'Speed' (this tracker compatibility thing which no one understood, but somehow made the pattern scroll faster) is finally gone. Better said, it got replaced by more powerful and easier to use LPB settings (Lines Per Beat - how many lines in the pattern make up a musical beat). 
Delay Column : 
You can now offset notes and note commands with a gradient of 1/256 line precision (thats a PPQ of 4096 at LPB=16!) via a new 'delay column' in the pattern editor. This might be the first time you record something in a tracker and it actually sounds exactly as groovy (or bad) as you played it! 
revised Sample FX commands : 
Pitch/Volume slides, glides now work independently of the sampler's 'tick' rate. For example, 0110 will pitch notes a half-note up, 0101 a sixteenth half-note, etc. Volume/panning slides on volume/panning column now work as if their value was the first digit of the corresponding command column command (f.e.: 0720 = A2) See the tutorials pages for more info about these and other effects. 
Also you can smooth/coarse the pitch and volume slidings by increasing/decreasing the Tick-Per-Line value thru the effect F2xx. 
fractional BPM : 
Added the ability to enter fractional BPM (like 127.56) is the BPM box. Fractional values can only be entered by double clicking the BPM value. 
ready for the future : 
NoteDelays and LPB are the most important and necessary steps for upcoming big features like Zoomable Patterns, Piano Roll, more accuracy (timing wise) with FX automations, and so on. 
IMPORTANT: Not all of the changes are backwards compatible, thus only new songs can make use of all the new features. Old songs can be manually upgraded in the 'Song settings' pane, but will probably need manual adjustments.. 
Audio Unit : (Mac OSX) 
Mac OSX: Added support for Audio Unit (AU) Plugins (finally) 
Note quantize options 
Added note quantize options for realtime recording and Note nudge options in the Advanced Edit pane. There are also new shortcuts for realtime note quantization to quickly quantize after recording. 
Full support for Multi Output VSTi (AU) 
Multi output VSTis (AUs) are now fully supported. Samplers or Synths with multiple channels can now be routed to individual tracks. 
Sending notes to VST (AU) FX 
Sending notes to VST (AU) FX is now supported. Simply create a FX alias in the VST Instruments pane to do so (link an instrument to an existing FX). 
Improved MIDI recording precision 
Vastly improved MIDI recording precision by compensating event latencies (and of course also thanks to the new note delays / LPB settings) 
Channel and Polyphonic aftertouch 
Added support (recording and playback) for channel and polyphonic aftertough for MIDI and VSTi instruments. 
Polyphonic aftertouch is sent when specifying a volume value (velocity) after a note on (but before a note off is present). Channel aftertocuh can be send via: 
'--- 01 . C3 0020' 
(This will send a aftertocuh value of 20h to the instr. 01) 
Improved audio latency when recording 
The Line-In device now lets you specify the source of the recorded audio and will apply/fix latencies, as needed. 
Improved audio performance : (OSX & Linux) 
OSX & Linux: Improved audio performance (lower latencies are possible) when running Renoise on multi-CPU machines. 
Note: On Linux, you have to configure your system to allow Renoise to create realtime threads. Usually this is done via PAM. Please see the Linux FAQ for more details on how to configure your system to make use of the improvements & fixes. 
Minor Features 
Besides the milestones there are plenty of relatively smaller features that are nonetheless very worthwhile. 
Interface / OS integration : 
Drag & Drop of external files (dragging songs/samples/. into the Renoise window to load them) 
Windows + OSX: Better support for Japanese and other input modes 
Renoise GUI widget cosmetics 
Tooltips do now show if a shortcut is 'local' 
Hitting escape while drag & dropping cancels dragging 
Netbook Screen Resolution Support: The Renoise window can now be resized to min 990x550 pixels (upper or lower frame is automatically hiding if you use small Netbook screen which is smaller than 700 pixel in height) 
Linux : 
the ALSA configuration now allows changing the Periods/Buffer 
Running Renoise when compiz is running will add a standard WM border around the window to get rid of the remaining problems with compiz 
Mixer : 
New helpful short names for LFO, Automate, Send and Velocity Devices (showing what they control, etc..) 
Automations : 
Added a 'Show only used Automations' option to the automation list 
Pattern Editor : 
easier and more accurate mouse click/selection/navigation: 
single clicks jump to the pointed position (optional) 
middle click mutes / unmutes the track 
added key bindings for 'delete previous line [in columns/track/pattern]' which behaves like a 'backspace' in a text editor 
Rendering selections will no longer reduce the rendered volume. If you've set the master volume to 0 dB you can still lower the master volume manually to avoid clipping.. 
Added separator bars for note columns 
More contrast between empty and non-empty data 
Removed the 'Show Framework' option 
Double clicking in the Pattern while Pattern Follow is enabled and the player is playing will no longer jump to new lines 
New tracks are inserted to the right now (instead of to the left) 
Pattern Sequencer : 
Added a 'Add new unique Pattern' function Default shortcut is 'Control + Alt + Insert' from the pattern editor 
Disk Browser : 
There is a small sample library now: Click on the Library Button in the DiskOps 'Samples' category to see them 
The Disk browser can be made bigger when needed by clicking on the 'more' button. 
Sample Editor : 
OS Sample-Clipboard support (Windows only): Exchange (Copy/paste) samples with your favorite sample editor 
Added mono mix modes to the 'Adjust Sample' dialog 
Added 'Copy into New Sample/Instrument' actions. This action will keep the currently selected instrument focused / will not jump to the newly created sample to make for example beat cutting easier. 
Added a 'Mix-Paste' (modulate/add) action 
Better (unique) names for newly created or rendered samples 
Added a 'markers' Snapping option which currently only snaps to the loop 
Added an option to auto-select the currently played back 'sample split' 
VST/Plugin related : 
Better performance and compatibility with VST instruments (less audio latency related crackles on Songs which use lots of VSTis) 
Pimped Plugin Browsers: 
The browsers for Plugin FX and Instruments can be made bigger by clicking on the 'more' button. 
The browsers will no longer occupy the whole screen height when only a few plugins are installed 
Plugins can be hidden, moved, and renamed (right click on the entries) 
Plugins are now by default (this can be changed, right click) organized by manufacturer 
Added an option to skip searching for new Plugins on startup (to speed up startup on computers with huge Plugin collections) 
Added an Info button ('?') for VST Instruments as well (works just like the old ones for FX) 
Plugin compatibility options (such as multiprocessor behavior) can be changed by clicking on the info ('?') buttons 
Added a preset rename button for Plugin instruments 
Window positions of external interfaces are now memorized/restored with the song (external editors will open on the last used position on screen) 
Added support for UAD2 DSP cards. Renoise will now run all UAD plugins with a fixed buffersize of 1024, which will result in less CPU overhead and better compatibility, also for the old UAD1. 
Internal FX : 
The FX presets show now if they are modified (via a small * behind the name) 
'*LFO Device' improvements: 
The 'Reset' parameter can now be automated by other '*LFO Device's or '*Velocity Device's. This way you can automate/trigger the LFOs phase. 
Added a one-shot option to the LFO device when running a custom envelope: This will avoid that the envelope cycles. LFO reset pattern commands will retrigger the envelope then. 
The custom envelope view got a bit bigger 
'*Velocity Device' fine tuning: See 'this suggestion' for details 
The Stereo Expander got now a 'Mono Mix' switch 
Added a new Filter device: Filter 3, which replaces the old 'Filter 2' device. The new filter has four models. All come with LowPass, HighShelf, BandPass, BandReject, LowShelf and HighPass) modes: 
a standard, precise and fast 24dB Biquad filter 
an experimental, fast and 'fruity' 24dB Moog filter emulation 
a 4 stage Butterworth filter, for precise and ultra sharp cutoffs 
a 8 stage Butterworth filter, for ultra precise and ultra sharp cutoffs 
Inertia settings are more 'detailed' in the lower areas now. This means your songs might need to be adjusted when you've used Inertia settings apart from the Max/Instant value 
Added the old Filter2 Dist Comp modes into a new device 'Scream Filter', with more options than you got in the old Filter2 device. 
Added new native FX 'RingMod' (as replacement for Filter2's RingMod mode) 
Finetuned the LofiMat (its LofiMat2 now because the changes are not backwards compatible) 'Quality' is visualized in Hz now, and will also react more precise than before. Also automating the Dry/Wet amounts should no longer click when automated 
TrackDSPs : 
Added an option to append instead of replace DSP chains when loading them. This can be configured by loading chains with options (right click a chain -> 'Load with Options') or in the Im/Export Preferences 
Groove Settings : 
The global groove can now be switched on/off -> automated with the Pattern Command F400 -> Off, F401 -> On 
Groove settings at high LPBs (> 8) will sound equal to their base factor LPBs. So when expanding a song from LPB 4 to LPB 8 or 16, the song will sound the same as with LPB 4. 
Misc : 
Added 'Show Log file' and 'Show Preferences folder' in the help menu so that you can easily find Log/Preferences files on your computer 
Replaced the old 'recent files' menu with 'recently loaded' and 'recently saved' file menu 
Autobackups now also save for 'Untitled' (newly started) songs. The backups are saved in the Preferences folder. 
The clock is back ;) (in fullscreen mode) 
And more : 
Lots of small stuff/details which hopefully make composing even more fun.. 


Renoise_v2.8.torrentRenoise For Mac Torrent DownloadRenoise 2.8 | Mac OS X | 67.6 MB. 
Renoise is a digital audio workstation (DAW) with a refreshing twist. It allows you to record, compose, edit, process and render the audio quality production using an approach based on the tracker.
Renoise For Mac Torrent SoftwareIn a tracker (or 'tracker'), the music goes up and down in a grid easily understandable known as a pattern. Several patterns arranged in a certain order form a song. The editing step in a grid pattern is an excellent feature for quick and immediate flow of work. In addition, Renoise has a wide range of modern features: integrated dozens of audio processors, along with support for all formats plugins and virtual instruments most commonly used effects. The software can extend far: scripted, you can use all the connected MIDI or OSC controller to control exactly the way you want. If you are an audio veteran or just starting out, Renoise is a fantastic addition to any environment or professional study. Renoise is very well thought for unlimited musical creativity.

Changes for v2.7.0 - v2.7.1
Fixes:
Mac OSX: Lua Error Dialogs May Crash Renoise 
Lua samples[]:copy_from troubles when applied on sliced samples 
Keyzone Editor, 'Vel->Vol' Problem With Multiple Samples 
Problem Loading .Rni Instruments From 2003 
Hydra Destination Fx Name Incorrect When Renaming Device 
Changes:
Undo/Redo Record Last Take Finetuning 
Edit Step is Saved Again (As Preferences) 

Changes for v2.6.1 - v2.7.0
Release Notes for Renoise 2.7.0
Back To Beats. Renoise 2.7 transitions from the developer-heavy focus of the previous release to more musical concerns such as Sampling, Instruments, Automation, and Native DSPs. 
Instrument Redesign and Sample Keyzones
Renoise's internal instruments have been re-engineered. The focal point is a new keyzone editor that supports overlapping, velocity, and key release mappings. The Sample Keyzones editor brings with it user interface refinements, improved drumkit generation, better tuning options, new sample properties, and loop modes. Live instrumentalists can also tap into new realtime rendering modes and MIDI input routing, making Renoise on a laptop a formidable replacement for your old sampler. 
Some new Instrument & Sampler features at a glance: 
Sample Keyzones GUI editor per instrument 
Map different samples to different velocity ranges 
Map samples to key release as well as key press 
Stack samples and create overlapping sections 
Toggle envelope on/off per keyzone 
New Release sample loop option for exiting the loop on key release 
MIDI Input can now be routed to individual instruments and tracks 
Extended drumkit and keyboard layout generation options 
Sample envelopes now have Points mode in addition to Linear and Curve 
Autofade setting per sample for quickly fading beginning and end of samples 
Select multiple samples and batch edit properties 
Overhauled instrument properties GUI, now in lower tab 
Sample Slice Markers
New Slice Markers push Renoise's breakbeat insanity one step further. With the click of a button, your break is sliced and keymapped. Amens away! More than just a beatslicer, creatives will soon discover custom offsets and the power of aliases for controlling longer recordings like vocals and soundscapes. 
Slice marker features include: 
Automatically detect transients in sample and place markers on them 
Manually place and edit slice positions in sample editor 
Trigger slices from keyboard as if they were regular samples 
Trigger slices from pattern 09 commands 
Trigger either only slice or remainder of sample from that point 
Edit sample properties like loop, volume etc per slice 
Automation Improvements
The revamped Automation Editor now provides a zoomable overview of the entire song, as well as vastly improved envelope resolution. Mouse handling has also been simplified, with fewer modifiers and more easily accessible draw mode, selections and context menu. 
Automation precision increased to 256 steps per pattern line 
Zoom level can be locked to multiples or fractions of whole envelopes 
Values can be snapped to grid, lines or beats 
Turn off Follow mode to detach edit position from playback position 
Left-click and drag to select, drag a selected point to move/scale 
New Track DSPs
Internal FX get an injection of winning with a new Comb Filter and a Multiband Send that lets you surgically redirect a single sound source to 3 send tracks. New draggable gain and frequency handles in the native EQs add flavour and finesse to the tools. 
New Multiband Send device letting you send different frequency bands to different destinations 
New Comb Filter device 
Draggable handles for Frequency, Gain and Q for the EQ devices 
Devices can now be renamed 
Load and Save DSP chains from the device chain and device context menu 
DSSI plugins now handle MIDI note events coming from the GUI 
DSSI plugin windows always stay on top of Renoise window 
Recording & MIDI
MIDI Input can now be routed to individual instruments and tracks 
Pre-count metronome option for recording 
Live recording MIDI notes/events will no longer create lots of Undo/Redo steps 
More simultaneous Master/MIDI In devices supported 
Store pattern quantize settings globally and not per song 
Audio Rendering
Real-time rendering mode: render MIDI instruments and line-in devices, or hybrid VSTs 
Mono/Stereo/Auto option added for the plugin grabber 
Render Selection To Sample no longer renders DSPs on master channel 
Other Tweaks and Fixes
Remember previous track mute states when soloing/unsoloing 
New phase meter in Master Spectrum view 
Track and master scopes synced to zero crossings for better readability 
Audio headroom per track is now configurable (was -6dB) 
Pattern Matrix no longer steals Pattern Editor focus when clicked 
Navigating folders with many XRNX/XRNI files in Disk Browser considerably sped up 
Trigger Autoseek samples also when triggering individual lines (with Return key) 
Double click on scrollbars to zoom out fully in zoomable views 
Updated Lua API bindings 

Changes for v2.6.1 - v2.7.0 RC 1
Release Notes for Renoise 2.7.0 
Back To Beats. Renoise 2.7 transitions from the developer-heavy focus of the previous release to more musical concerns such as Sampling, Instruments, Automation, and Native DSPs. 
Instrument Redesign and Sample Keyzones 
Renoise's internal instruments have been re-engineered. The focal point is a new keyzone editor that supports overlapping, velocity, and key release mappings. The Sample Keyzones editor brings with it user interface refinements, improved drumkit generation, better tuning options, new sample properties, and loop modes. Live instrumentalists can also tap into new realtime rendering modes and MIDI input routing, making Renoise on a laptop a formidable replacement for your old sampler. 
Some new Instrument & Sampler features at a glance: 
Sample Keyzones GUI editor per instrument 
Map different samples to different velocity ranges 
Map samples to key release as well as key press 
Stack samples and create overlapping sections 
Toggle envelope on/off per keyzone 
New Release sample loop option for exiting the loop on key release 
MIDI Input can now be routed to individual instruments and tracks 
Extended drumkit and keyboard layout generation options 
Sample envelopes now have Points mode in addition to Linear and Curve 
Autofade setting per sample for quickly fading beginning and end of samples 
Select multiple samples and batch edit properties 
Overhauled instrument properties GUI, now in lower tab 
Sample Slice Markers 
New Slice Markers push Renoise's breakbeat insanity one step further. With the click of a button, your break is sliced and keymapped. Amens away! More than just a beatslicer, creatives will soon discover custom offsets and the power of aliases for controlling longer recordings like vocals and soundscapes. 
Slice marker features include: 
Automatically detect transients in sample and place markers on them 
Manually place and edit slice positions in sample editor 
Trigger slices from keyboard as if they were regular samples 
Trigger slices from pattern 09 commands 
Trigger either only slice or remainder of sample from that point 
Edit sample properties like loop, volume etc per slice 
Automation Improvements 
The revamped Automation Editor now provides a zoomable overview of the entire song, as well as vastly improved envelope resolution. Mouse handling has also been simplified, with fewer modifiers and more easily accessible draw mode, selections and context menu. 
Automation precision increased to 256 steps per pattern line 
Zoom level can be locked to multiples or fractions of whole envelopes 
Values can be snapped to grid, lines or beats 
Turn off Follow mode to detach edit position from playback position 
Left-click and drag to select, drag a selected point to move/scale 
New Track DSPs 
Internal FX get an injection of winning with a new Comb Filter and a Multiband Send that lets you surgically redirect a single sound source to 3 send tracks. New draggable gain and frequency handles in the native EQs add flavour and finesse to the tools. 
New Multiband Send device letting you send different frequency bands to different destinations 
New Comb Filter device 
Draggable handles for Frequency, Gain and Q for the EQ devices 
Devices can now be renamed 
Load and Save DSP chains from the device chain and device context menu 
DSSI plugins now handle MIDI note events coming from the GUI 
DSSI plugin windows always stay on top of Renoise window 
Recording & MIDI 
MIDI Input can now be routed to individual instruments and tracks 
Pre-count metronome option for recording 
Live recording MIDI notes/events will no longer create lots of Undo/Redo steps 
More simultaneous Master/MIDI In devices supported 
Store pattern quantize settings globally and not per song 
Audio Rendering 
Real-time rendering mode: render MIDI instruments and line-in devices, or hybrid VSTs 
Mono/Stereo/Auto option added for the plugin grabber 
Render Selection To Sample no longer renders DSPs on master channel 
Other Tweaks and Fixes 
Remember previous track mute states when soloing/unsoloing 
New phase meter in Master Spectrum view 
Track and master scopes synced to zero crossings for better readability 
Audio headroom per track is now configurable (was -6dB) 
Pattern Matrix no longer steals Pattern Editor focus when clicked 
Navigating folders with many XRNX/XRNI files in Disk Browser considerably sped up 
Trigger Autoseek samples also when triggering individual lines (with Return key) 
Double click on scrollbars to zoom out fully in zoomable views 
Updated Lua API bindings 
Renoise For Mac Torrent Kickass
Changes for v2.6 RC 1 - v2.6
New context menu entries and keyboard shortcuts (think 'My Improved Pattern Jump', 'My Bypass all DSP Devices in Track', 'My Generate Chip Sound Sample' commands and so on). A similar concept to the extensions in Mozilla's Firefox. 
Custom graphical user interface elements with the look and feel of Renoise itself. Perfectly integrate your tools with Renoise and make them easy to use for others too. 
Manipulate the Renoise main window or the song (patterns, tracks, instruments, anything that makes up a song). Generate, filter, or process song data in any way you can think of, e.g. for algorithmic composition, instrument creation, automation etc. The sky is the limit. 
Help us create official features by prototyping your ideas, finetune them with the aid of the community and hopefully see them integrated into the core feature set of a future Renoise release. 
Fully optional (no need to use it, when you don't need it) 
Ability to mute parts of your song, without the need to create new patterns, also useful when playing livesets to develop patterns in real time (create full arrangements or 'drafts' from a single pattern with just a few clicks) 

Itunes plugins for windows 10. Changes for v2.0.0 - v2.1.0
New Features
ReWire & Jack Transport Support
(OSX/Win) Rewire Master (ReWire-in routing device) and ReWire Slave mode. 
(Linux) Added Jack Transport 
Live features in the Pattern Sequencer
Pattern Sequencer can be decoupled from viewed pattern (disable Pattern Follow). 
Pattern Sequencer allows queuing patterns, deferred triggering. 
Pattern Sequencer shows current playing pattern row in the player queue column. Green when follow mode is off, white when follow mode is on. 
New Devices 
Hydra device : Control up to nine parameters of other effects using only one input slider. 
Keytracking device : Similar to the Velocity device but then ranges for key-note values affect the target parameter. 
MIDI CC device got transformed to a MIDI Control device : Pitchbend, Channel Pressure and Program changing are now added parameters (and are now automatable through automation curves). 
Fixes
Virus TI : Fixed a bug with the VST timing when the static buffers option is enabled & we've added some VST features which are normally not used. 'Access' would fix some timing issues on their side to make our fix work so you also need to download their newest Firmware containing their solution to have a full fix. 
OSX: Supercollider AU Wrappers show no parameters / crackle. 
Pingpong Looped Sample + 05xx Resets Loop Direction 
Ext. Midi Notes sometimes stuck (from MIDI Master Keyboard) 
OSX: Audio Damage Plugins GUI Crash 
Midi In From Mme+Wdm should not be used together by default 
Middle Click On Envelope Automation Sets A Point 
Linux: Wrong VST Instruments Properties label LADSPA instruments should not be mentioned 
Renoise 'Hickups' On Songplay After Idling 
Changes
Loop info is now included when saving WAV and FLAC files 
Clicking stop twice no longer rewinds the pattern-arranger to the first song-position. 

Changes for v2.0.0 - v2.1.0 RC 2
Fixes
Virus TI : Fixed a bug with the VST timing when the static buffers option is enabled & we've added some VST features which are normally not used. 'Access' would fix some timing issues on their side to make our fix work so you also need to download their newest Firmware containing their solution to have a full fix. 
OSX: Supercollider AU Wrappers show no parameters / crackle. 
Pingpong Looped Sample + 05xx Resets Loop Direction 
Ext. Midi Notes sometimes stuck (from MIDI Master Keyboard) 
OSX: Audio Damage Plugins GUI Crash 
Midi In From Mme+Wdm should not be used together by default 
Middle Click On Envelope Automation Sets A Point 
Linux: Wrong VST Instruments Properties label LADSPA instruments should not be mentioned 
Renoise 'Hickups' On Songplay After Idling 
Changes
Loop info is now included when saving WAV and FLAC files 
Clicking stop twice no longer rewinds the pattern-arranger to the first song-position. 
Renoise For Mac Torrent Pirate Bay
Changes for v1.9.1 - v2.0.0
Camden Beach. Torrent need for speed most wanted 2012 mac os.
Major Features 
The development of these changes was split into 3 milestones. Precision, Timing and Plugin improvements. 
PDC (Plug-in Delay Compensation) 
Full, automatic, sample precise Plugin Delay Compensation (PDC) for Track FX (native and Plugin) and Instruments (aka everything). You simply don't have to care if a VST Plugin or instrument introduces unwanted latency. Renoise will compensate it for you under the hood. 
Track Delay 
Custom track delays to easily offset MIDI/Audio tracks. For example, laying back a snare can now be done in realtime in the mixer. Same goes for 'MIDI tracks' (tracks with MIDI notes). 
Timing Improvement (LPB & Delay Column) 
'Ticks' no longer limited by the engine's note resolution / 'Speed' is dead: LPB (Lines Per Beat) : 
'Speed' (this tracker compatibility thing which no one understood, but somehow made the pattern scroll faster) is finally gone. Better said, it got replaced by more powerful and easier to use LPB settings (Lines Per Beat - how many lines in the pattern make up a musical beat). 
Delay Column : 
You can now offset notes and note commands with a gradient of 1/256 line precision (thats a PPQ of 4096 at LPB=16!) via a new 'delay column' in the pattern editor. This might be the first time you record something in a tracker and it actually sounds exactly as groovy (or bad) as you played it! 
revised Sample FX commands : 
Pitch/Volume slides, glides now work independently of the sampler's 'tick' rate. For example, 0110 will pitch notes a half-note up, 0101 a sixteenth half-note, etc. Volume/panning slides on volume/panning column now work as if their value was the first digit of the corresponding command column command (f.e.: 0720 = A2) See the tutorials pages for more info about these and other effects. 
Also you can smooth/coarse the pitch and volume slidings by increasing/decreasing the Tick-Per-Line value thru the effect F2xx. 
fractional BPM : 
Added the ability to enter fractional BPM (like 127.56) is the BPM box. Fractional values can only be entered by double clicking the BPM value. 
ready for the future : 
NoteDelays and LPB are the most important and necessary steps for upcoming big features like Zoomable Patterns, Piano Roll, more accuracy (timing wise) with FX automations, and so on. 
IMPORTANT: Not all of the changes are backwards compatible, thus only new songs can make use of all the new features. Old songs can be manually upgraded in the 'Song settings' pane, but will probably need manual adjustments.. 
Audio Unit : (Mac OSX) 
Mac OSX: Added support for Audio Unit (AU) Plugins (finally) 
Note quantize options 
Added note quantize options for realtime recording and Note nudge options in the Advanced Edit pane. There are also new shortcuts for realtime note quantization to quickly quantize after recording. 
Full support for Multi Output VSTi (AU) 
Multi output VSTis (AUs) are now fully supported. Samplers or Synths with multiple channels can now be routed to individual tracks. 
Sending notes to VST (AU) FX 
Sending notes to VST (AU) FX is now supported. Simply create a FX alias in the VST Instruments pane to do so (link an instrument to an existing FX). 
Improved MIDI recording precision 
Vastly improved MIDI recording precision by compensating event latencies (and of course also thanks to the new note delays / LPB settings) 
Channel and Polyphonic aftertouch 
Added support (recording and playback) for channel and polyphonic aftertough for MIDI and VSTi instruments. 
Polyphonic aftertouch is sent when specifying a volume value (velocity) after a note on (but before a note off is present). Channel aftertocuh can be send via: 
'--- 01 . C3 0020' 
(This will send a aftertocuh value of 20h to the instr. 01) 
Improved audio latency when recording 
The Line-In device now lets you specify the source of the recorded audio and will apply/fix latencies, as needed. 
Improved audio performance : (OSX & Linux) 
OSX & Linux: Improved audio performance (lower latencies are possible) when running Renoise on multi-CPU machines. 
Note: On Linux, you have to configure your system to allow Renoise to create realtime threads. Usually this is done via PAM. Please see the Linux FAQ for more details on how to configure your system to make use of the improvements & fixes. 
Minor Features 
Besides the milestones there are plenty of relatively smaller features that are nonetheless very worthwhile. 
Interface / OS integration : 
Drag & Drop of external files (dragging songs/samples/. into the Renoise window to load them) 
Windows + OSX: Better support for Japanese and other input modes 
Renoise GUI widget cosmetics 
Tooltips do now show if a shortcut is 'local' 
Hitting escape while drag & dropping cancels dragging 
Netbook Screen Resolution Support: The Renoise window can now be resized to min 990x550 pixels (upper or lower frame is automatically hiding if you use small Netbook screen which is smaller than 700 pixel in height) 
Linux : 
the ALSA configuration now allows changing the Periods/Buffer 
Running Renoise when compiz is running will add a standard WM border around the window to get rid of the remaining problems with compiz 
Mixer : 
New helpful short names for LFO, Automate, Send and Velocity Devices (showing what they control, etc..) 
Automations : 
Added a 'Show only used Automations' option to the automation list 
Pattern Editor : 
easier and more accurate mouse click/selection/navigation: 
single clicks jump to the pointed position (optional) 
middle click mutes / unmutes the track 
added key bindings for 'delete previous line [in columns/track/pattern]' which behaves like a 'backspace' in a text editor 
Rendering selections will no longer reduce the rendered volume. If you've set the master volume to 0 dB you can still lower the master volume manually to avoid clipping.. 
Added separator bars for note columns 
More contrast between empty and non-empty data 
Removed the 'Show Framework' option 
Double clicking in the Pattern while Pattern Follow is enabled and the player is playing will no longer jump to new lines 
New tracks are inserted to the right now (instead of to the left) 
Pattern Sequencer : 
Added a 'Add new unique Pattern' function Default shortcut is 'Control + Alt + Insert' from the pattern editor 
Disk Browser : 
There is a small sample library now: Click on the Library Button in the DiskOps 'Samples' category to see them 
The Disk browser can be made bigger when needed by clicking on the 'more' button. 
Sample Editor : 
OS Sample-Clipboard support (Windows only): Exchange (Copy/paste) samples with your favorite sample editor 
Added mono mix modes to the 'Adjust Sample' dialog 
Added 'Copy into New Sample/Instrument' actions. This action will keep the currently selected instrument focused / will not jump to the newly created sample to make for example beat cutting easier. 
Added a 'Mix-Paste' (modulate/add) action 
Better (unique) names for newly created or rendered samples 
Added a 'markers' Snapping option which currently only snaps to the loop 
Added an option to auto-select the currently played back 'sample split' 
VST/Plugin related : 
Better performance and compatibility with VST instruments (less audio latency related crackles on Songs which use lots of VSTis) 
Pimped Plugin Browsers: 
The browsers for Plugin FX and Instruments can be made bigger by clicking on the 'more' button. 
The browsers will no longer occupy the whole screen height when only a few plugins are installed 
Plugins can be hidden, moved, and renamed (right click on the entries) 
Plugins are now by default (this can be changed, right click) organized by manufacturer 
Added an option to skip searching for new Plugins on startup (to speed up startup on computers with huge Plugin collections) 
Added an Info button ('?') for VST Instruments as well (works just like the old ones for FX) 
Plugin compatibility options (such as multiprocessor behavior) can be changed by clicking on the info ('?') buttons 
Added a preset rename button for Plugin instruments 
Window positions of external interfaces are now memorized/restored with the song (external editors will open on the last used position on screen) 
Added support for UAD2 DSP cards. Renoise will now run all UAD plugins with a fixed buffersize of 1024, which will result in less CPU overhead and better compatibility, also for the old UAD1. 
Internal FX : 
The FX presets show now if they are modified (via a small * behind the name) 
'*LFO Device' improvements: 
The 'Reset' parameter can now be automated by other '*LFO Device's or '*Velocity Device's. This way you can automate/trigger the LFOs phase. 
Added a one-shot option to the LFO device when running a custom envelope: This will avoid that the envelope cycles. LFO reset pattern commands will retrigger the envelope then. 
The custom envelope view got a bit bigger 
'*Velocity Device' fine tuning: See 'this suggestion' for details 
The Stereo Expander got now a 'Mono Mix' switch 
Added a new Filter device: Filter 3, which replaces the old 'Filter 2' device. The new filter has four models. All come with LowPass, HighShelf, BandPass, BandReject, LowShelf and HighPass) modes: 
a standard, precise and fast 24dB Biquad filter 
an experimental, fast and 'fruity' 24dB Moog filter emulation 
a 4 stage Butterworth filter, for precise and ultra sharp cutoffs 
a 8 stage Butterworth filter, for ultra precise and ultra sharp cutoffs 
Inertia settings are more 'detailed' in the lower areas now. This means your songs might need to be adjusted when you've used Inertia settings apart from the Max/Instant value 
Added the old Filter2 Dist Comp modes into a new device 'Scream Filter', with more options than you got in the old Filter2 device. 
Added new native FX 'RingMod' (as replacement for Filter2's RingMod mode) 
Finetuned the LofiMat (its LofiMat2 now because the changes are not backwards compatible) 'Quality' is visualized in Hz now, and will also react more precise than before. Also automating the Dry/Wet amounts should no longer click when automated 
TrackDSPs : 
Added an option to append instead of replace DSP chains when loading them. This can be configured by loading chains with options (right click a chain -> 'Load with Options') or in the Im/Export Preferences 
Groove Settings : 
The global groove can now be switched on/off -> automated with the Pattern Command F400 -> Off, F401 -> On 
Groove settings at high LPBs (> 8) will sound equal to their base factor LPBs. So when expanding a song from LPB 4 to LPB 8 or 16, the song will sound the same as with LPB 4. 
Misc : 
Added 'Show Log file' and 'Show Preferences folder' in the help menu so that you can easily find Log/Preferences files on your computer 
Replaced the old 'recent files' menu with 'recently loaded' and 'recently saved' file menu 
Autobackups now also save for 'Untitled' (newly started) songs. The backups are saved in the Preferences folder. 
The clock is back ;) (in fullscreen mode) 
And more : 
Lots of small stuff/details which hopefully make composing even more fun.. 


Renoise_v2.8.torrentRenoise For Mac Torrent DownloadRenoise 2.8 | Mac OS X | 67.6 MB. 
Renoise is a digital audio workstation (DAW) with a refreshing twist. It allows you to record, compose, edit, process and render the audio quality production using an approach based on the tracker.
Renoise For Mac Torrent SoftwareIn a tracker (or 'tracker'), the music goes up and down in a grid easily understandable known as a pattern. Several patterns arranged in a certain order form a song. The editing step in a grid pattern is an excellent feature for quick and immediate flow of work. In addition, Renoise has a wide range of modern features: integrated dozens of audio processors, along with support for all formats plugins and virtual instruments most commonly used effects. The software can extend far: scripted, you can use all the connected MIDI or OSC controller to control exactly the way you want. If you are an audio veteran or just starting out, Renoise is a fantastic addition to any environment or professional study. Renoise is very well thought for unlimited musical creativity.
 Multiplatform – Renoise runs on Windows, Mac OS X or Linux If you want to use Renoise at all, it is possible! The license covers all platforms, so no need to register a separate copy for each operating system.
 Supports Plugins – Plugins offer a wide range of effects and synthesizers. With Renoise all that is within reach. Renoise supports VST, AU, LADSPA and DSSI.
 ReWire Support – Connect and synchronize with other applications Renoise audio with ReWire compatible. Combine the best aspects of both trackers and sequencers!
 Tracker interface – Very fast. That pretty much sums it up. Once you master the keyboard shortcuts, there is nothing to stop you. No annoying floating windows, most sections are integrated into a flexible, adjustable interface. Each section is easily located because it is always in the same position.
 Sampler – Editing and hearing samples with the Sample Editor. Because really, why I should distract you have to change to work in external editors? With Renoise it goes.
 Matrix Editor – The Editor Matrix (or 'Pattern Matrix') is a 'bird's eye view' of the patterns and song tracks. Patterns and tracks are divided into blocks that can move, copy and paste, which allows you to manage the flow of music quickly and easily.
 More than 26 native effects – With more than 26 native effects including, Renoise has all the essential elements needed to meet any production: reverb, delay, filters, compressors, EQ, distortion, flanger, phaser and more. Used both many of them as you wish.
 Automation – Take advantage of the envelopes of graphs to automatically control the parameters and give your productions more variety and depth automation.
 Mixer – is the flexible response Renoise traditional mixer. It also functions as an interface for managing DSP chains.
 Rendering for sample – Renders quickly audio clips in sequential execution through a chain of effects with new instruments. It allows reuse of a new and interesting way. Create your own loops with phrases or combinations of different sounds and effects is easy.
 'Plugin Grabber' – Turn sounds a complete plugin into an instrument for Renoise through Grabber Plugin. Then use the Instrument Editor to modify the behavior of the instruments. This avoids having to use many plugins using instead sounds copilados a plugin equivalent instrument.
 Lua Script API – Renoise contains an API (application programming interface) that lets you customize and extend Renoise writing scripts in Lua programming language. It is a powerful integrated tool developer community.
 Control with alphanumeric keypad – Renoise is strongly conceived and designed to be controlled from the keyboard. Almost everything can be controlled from the keyboard. The flexible system allows remap keyboard mapping all commands, if you want to create your own configuration commands. The speed that allows Renoise thanks to keyboard control is probably the biggest difference against other DAW. You control the keyboard, and be very fast producing music!
 Meta devices – With meta devices as Signal Follower, LFO X / Y Pad, Meta Mixer and more, can modulate or control other parameters of the computer instead of handling audio. You can even link between different tracks, so the sound design possibilities can be very complex and powerful.
 Tools 'Add-on' – Enjoy the many add-on tools provided by the Renoise community. There are tools for everything from Renoise to step sequencer interface test synthesis algorithmic composition.
 Grouping Tracks – The group is not only a feature of organization to maintain the orderly project. It is also a practical routing mechanism for applying the same effects for a number of tracks. Groups and tracks can be put together and coloring with custom colors for better identification and shared vision.
 Flexible routing – The effects of tracks and effects on track Master facilitate routing options most exclusive. Whether the route of a single channel or 50 channels with a track full of effects, your computer processor hardly know the difference. This allows for flexibility in applying effects on tracks ( 'tracks') or Master and routing between them extraordinary.
 Multi-channel input and output – Renoise offers full support for multiple channels of hardware that go in and out in real time.
 MIDI – Connect Renoise to hardware synths or plugin instruments to send and receive notes and controller changes. Sync Renoise in master mode or slave mode.
 OSC – OSC ( 'Open Sound Control') is an open control interface and audio applications programmatically protocol. Shooting Functions in Renoise are easily configurable for control as if it were a server and can send OSC commands, you can convert a client Renoise OSC by using scripts.
 Jack Audio Connection Kit – JACK is the leading audio interconnect technology in Linux and is fully compatible with Renoise.
 PDC, compensation latencies – the plugins and external inputs have different amounts of latency, so the songs sound unbalanced if not treated properly. With the plugin delay compensation Renoise automatic technology, all virtual instruments and effects in their productions are synced automatically.
 Multi-Core Support – Unleash the full potential of your team! Renoise takes advantage of all the cores in your system to increase performance, allowing you to add more instruments and effects and heavier than before.
 Spectrum Analyzer – The full spectrum analyzer integrated Renoise is highly customizable, and helps to identify problem areas in the final mixture. It is used to compare the frequency content of different tracks or watch all the main outlet for mastering audio frequencies.